Child Eater AmazonIndie horror film 'Child Eater' is becoming a full length feature - get early details and check out the film's Kickstarter page! 'Child Eater Full MOVIE (2016) Streaming link :: ⦕ http:// ⦖ #ChildEater FULLMOVie Ꭶ Child Eater FULL MOVIE 2016 Online Stream HD Free Strea. · Child Eater hasn’t earned a wealth of recognition, but it is a fair little indie flick that makes a valiant effort in introducing a new iconic killer. Child Eater | Horror Movie. Erlingur Óttar Thoroddsen US / Iceland 8. Grade: CIcelandic- born director Erlingur Óttar Thoroddsen created something of a sensation with his 2. Child Eater. He has now turned the short into a feature film, and it screened for the first time at the Brooklyn Horror Film Festival on Sunday October 1. The original short is pretty amazing, and you can watch it on Vimeo: The feature film tells essentially the same story—and therein lies part of the problem. Despite the fact that it is 8. It is the same story, told in a needlessly expansive and meandering fashion. The story of Child Eater is relatively simple. Helen (in great performances by Cait Bliss in both films) is babysitting a small boy in an area shadowed by the myth of Robert Bowery, said to eat the eyes of children to ward off his own blindness. Layered over that is the myth of a black stork who lures children out of their beds at night, pecks out their eyes, and then eats them. The boy Helen is babysitting, Lucas (Colin Critchley), inexplicably walks off into the woods while she’s babysitting him, and then Helen and her boyfriend Tom (Dave Klasko) follow—and all three are stalked by Robert Bowery (Jason Martin), a monster who inhabits the border between man and myth. The feature adds another character—Ginger (Melinda Chilton)—who is, as she says, “the one who got away,” a former child victim of Bowery’s who escaped and who now seems mostly to wander crazily around the woods. There are definitely some good things about Child Eater: as I mentioned above, Cait Bliss is great as Helen. The cinematography is eerie and the woods loom large in the film, providing a fitting setting for the only part- human Bowery. I also think that Erlingur’s visual rendering of the “Child Eater” / Robert Bowery in the feature film is vastly improved over the short. Erlingur decided to show him more obliquely, to shoot him more obscurely—and, as such, the Child Eater is visually much more menacing. There are some genuinely terrifying moments when he emerges into the frame (not least, the wonderful closet scene, which is at the heart of both films). In the short, the Child Eater often appears as merely a strange- looking man with glasses (in fact, it’s the least successful part of the short): he’s more of a genuine monster in the feature. When I watched the feature, in fact, I realized how much Erlingur’s more oblique representation of the Child Eater in the feature offeres a really interesting visual evocation of Nosferatu (F. W. Murnau, 1. 92. Child Eater TrailerAside from the visual representation of the monster, though, Child Eater did not work as a feature. For a start, it had no clear narrative: most of the time, I felt like the characters were running here and there purposelessly—milling around, waiting to terrorized. There was no reason for Bowery’s emergence, for his doing what he was doing, for the other characters to be doing what they were doing. The central plot device of Lucas being lured into the woods (by the stork?) and Helen going to get him worked for the short but was not enough to sustain a feature- length narrative.
The characters, moreover, were not developed at all: we learned nothing more about Helen or Bowery, for instance, in 8. In the end, I felt that this was a sadly wasted opportunity, as well as a wasting of the undeniable talents of both Cait Bliss and Erlingur Thoroddsen. I will, though, look forward to the next film he directs.
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Lola Gegen Den Rest Der Welt online schauen und streamen in Deutsch mit Untertiteln in 1080p 16:97/14/2017 Lola gegen den Rest der Welt“: Plötzlich ziemlich allein vor dem Traualtar. Das Thema Hochzeit, sonst meistens das Ziel einer romantischen Komödie, ist in „Lola gegen den Rest der Welt“ schon nach einigen Minuten vom Tisch.
Mit einem Antrag und den typischen Vorbereitungen beginnt diese Indie- Variante einer typischen Hollywood- Romanze, doch noch bevor es vor den Altar geht, bekommt Luke (Joel Kinnaman) kalte Füße und lässt Lola (Greta Gerwig) einfach sitzen. Plötzlich Single und nicht mehr weit vom 3. Geburtstag entfernt zu sein, bekommt der ohnehin einigermaßen orientierungslosen Doktorandin in Manhattan nur bedingt. Luke bleibt in ihrem Leben weiter präsent, was einen Neubeginn schwierig macht. Das vorübergehende Anbandeln mit dem besten Kumpel (Hamish Linklater) ist auch nur bedingt hilfreich, von One- Night- Stands oder den vermeintlich klugen Ratschlägen der besten Freundin (Zoe Lister- Jones) ganz zu Schweigen. Soll das alles in „Lola gegen den Rest der Welt“ nun eine ironische Brechung der Konventionen des Rom- Com- Genres sein? Oder doch eher deren Bestätigung, nur eben im Milieu einer durch- und abhängenden Generation, der das Streben nach Perfektionismus à la Katherine Heigl abgeht? Auch Debra Winger spielt mit. Selbst Regisseur Daryl Wein scheint sich nicht ganz sicher, denn neben Kifferkomödien- Humor aus Frauenperspektive und einigen gelungenen Gags (wie einer Sexszene, in der die Musik von Ani Di. Franco eine entscheidende Rolle spielt) setzt er auch auf die üblichen Montagen oder vorhersehbar- unglaubwürdigen Charaktere und Konflikte. Gute Gründe, sich den irgendwie halbherzigen Film anzusehen, gibt es trotzdem. Die seltenen Chancen, Debra Winger mal wieder auf der Leinwand zu sehen (hier als Lolas Mutter), sollte man sich nie entgehen lassen. Und mit dem Schweden Kinnaman („Easy Money“) lässt sich eine der aktuellen Hollywood- Hoffnungen erleben, gerade steht er als neuer „Robo. „Lola vs. Sex, Love, Lola, The World.“ Die 29jährige Lola wird kurz vor der Hochzeit verlassen. Ziemlich schlimm für eine New Yorkerin, die mit 30 unter der. Pumuckl am 09.10.2016 - Lola.gegen.den.Rest.der.Welt.German.2012.AC3.DVDRiP.XViD-ETM. Kostenlos Lola Gegen Den Rest Der Welt anschauen, Kinofilm und Serien download. Gratis Lola Gegen Den Rest Der Welt herunterladen. Amazon.de - Kaufen Sie Lola gegen den Rest der Welt günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer.Cop“ vor der Kamera. Letztlich allerdings gehört „Lola gegen den Rest der Welt“ ganz Greta Gerwig. Die wunderbar witzige, Intelligenz verströmende Amerikanerin (zuletzt in einer kleinen Rolle in Woody Allens zu sehen) hat das Zeug, die Diane Keaton unseres Jahrzehnts zu werden. Genau deswegen wünscht man ihr möglichst bald eine Komödie, die ihres Talents auch würdig ist. Les Voleurs D'empires (Un Sale Metier, Volume 3) on Amazon.com. *FREE* shipping on qualifying offers.
Sapeurs pompiers une vie un métier une passion alors respectons les! 5.4K likes. Un pompier est une personne entraînée à combattre le feu, les. Un petit article bien sympathique dans le Journal de la Vendée - août 2016 Merci au Conseil Départemental de la Vendée, à M Merlet, M Loubaresse et à Mme Grellier. Professions in French. Search the site GO. Languages. French Vocabulary. I have to say that I am "un" professeur.* actor un acteur actress une actrice artist. Bonjour Que pensez vous du métier de sage femme? J'ai découvert ce métier lorsque j'ai eu mon bébé. Ma gyneco ne voulait plus me suivre à compter du 5ème mois, et l'hôpital était trop loin pour que je m'y traîne pour mes consult. Alors je suis allée voir une sage femme à côté de chez moi. J'ai découvert un métier formidable. Elles sont très à l'écoute et performantes, beaucoup plus qu'un gyneco qui voit passer des tas de trucs graves et considère qu'une grossesse n'est pas une maladie. Toutes celles que j'ai rencontrées ont été extra ! Que ce soit lors de ma menace d'accouchement prématuré (la sage femme qui me suivait à domicile a été fantastique), lors de la préparation, lors du suivi, ou lors de l'accouchement. Ma sage- femme m'a beaucoup aidé lors de ma préparation à être zen pour l'accouchement et après l'accouchement. Elles discutent beaucoup et savent mettre le doigt sur certains problèmes pour vous aider à les évacuer. Pour ma prochaine grossesse, je compte bien me faire suivre dès le début par une sage- femme, et j'encourage mes amies à faire de même. Je ne comprends pas les doutes qui existent sur leurs compétences par rapport à un gyneco. Elles font 5 ans d'études uniquement consacrées à la maternité. Qui peut mieux qu'elles connaître ces sujets ! C'est un métier d'écoute, de dialogue et de vie. Merci à toutes les sages- femmes pour leur présence et leur aide si précieuse ! Naruto The Movie 3 - Die Huter Des Sichelmondreiches online schauen und streamen in Deutsch 7207/14/2017 LIBRO - Naruto The Movie 3. Produktbeschreibung. Eine der erfolgreichsten Manga- Serien überhaupt, die sich bis heute über 2. Millionen Mal verkauft hat, geht als Kinofilm in die dritte Runde! Naruto und seine Freunde sind back und müssen mal wieder kräftig zupacken und zeigen was echte Ninjas alles auf dem Kasten haben. Wirklich schwierig, denn dieses Mal steckt gleich ein ganzes Königreich in der Klemme. Wie gewohnt steckt auch hier das bekannte japanische Animeentwickler Studio Pierrot ( Wunderbare Reise des kleinen Nils Holgersson mit den Wildgänsen , Saber Rider und die Starsheriffs ) hinter der Produktion.. The Movie 3: Die Hüter des Sichelmondreiches und weitere TV-Serien auf DVD- & Blu-ray in unserem vielfältigen. Die Regie führte in „Naruto The Movie 3.Die Regie führte in Naruto The Movie 3 Die Hüter des Sichelmondreiches im Jahre 2. Toshiyuki Tsuru ( Cowboy Bebop , Esca. Flowne ) und entführt uns erneut in eine fiktionale, asiatische und von Feudalstaaten geprägte Welt. Und so müssen Naruto und seine Freunde Sakura und Kakashi im dritten Teil auf Reisen gehen. Sie schließen sich mit Rock Lee zusammen, um den Prinzen Michiru und seinen Sohn Hikari auf ihrem Heimweg zurück in ihr Königreich des Halbmondes zu begleiten. Leichter gesagt als getan, denn die königlichen Herrschaften gehen den dreien schnell auf die Nerven. Der Prinz verwöhnt Hikari bei jeder sich bietenden Gelegenheit. Mit dem verwöhnten Prinzensohn hat Naruto alle Hände voll zu tun. Aber sein größte Bewährungsprobe erwartet ihn, als sie im Land des Halbmondes eintreffen. Die drei Freunde sehen sich mit einem hinterlistigen Aufstand konfrontiert. Da sind wirklich echte Kämpfer gefragt, um das Unheil abzuwenden. Doch der Gegner scheint schier übermächtig. Gelingt es Naruto unter diesen Umständen wirklich ein ganzes Königreich zu retten? Schaun mer mal, würde ein berühmter Kaiser an dieser Stelle dazu sagen.. Entdecken Sie Naruto - The Movie 3: Die Hüter des Sichelmondreiches. Die Regie führte in „Naruto The Movie 3 – Die Hüter des Sichelmondreiches. Bewertungen. Video.
Flatliners 1990Dödlig puls (1. 99. IMDb. Trivia. Among the many sets constructed on three sound stages at the Burbank studios, was the interior of the university's Taft Building, a huge, elaborate structure that contained an ornate hallway, and the dog lab in which the five students conduct their experiments. Joel Schumacher, Jan De Bont, and Eugenio Zanetti, all created a Gothically stylized atmosphere in the lab, by incorporating ominous lighting beneath an iron- grid floor, all to evoke images of the underworld, while angels and guardians above the columns suggest divine protection. Flatliners is an upcoming 2017 American science fiction psychological horror film directed by Niels Arden Oplev and written by Ben Ripley. The film is a. Flatliners is a 1990 American science fiction psychological horror film directed by Joel Schumacher, produced by Michael Douglas and Rick Bieber, and written by Peter.
All Categories. Antiques. Art. Baby. Books. Business & Industrial. Cameras & Photo. Cell Phones & Accessories. Clothing, Shoes & Accessories. Coins & Paper Money. Collectibles. Computers/Tablets & Networking. Consumer Electronics. Crafts. Dolls & Bears. DVDs & Movies. Entertainment Memorabilia. Gift Cards & Coupons. Health & Beauty. Home & Garden. Jewelry & Watches. Music. Musical Instruments & Gear. Pet Supplies. Pottery & Glass. Real Estate. Specialty Services. Sporting Goods. Sports Mem, Cards & Fan Shop. Stamps. Toys & Hobbies. Travel. Video Games & Consoles. Rurouni Kenshin (Japanese: るろうに剣心?, Hepburn: Rurōni Kenshin) (also known as Rurouni Kenshin: Origins in North America) is a 2012 Japanese film adaptation. Rurouni Kenshin, one of the most beloved Japanese swordsman manga and anime the world over, has been adapted to the silver screen for a series of three thrilling. Rurouni Kenshin: Kyoto Inferno. Asian Action Movies, Action Thrillers, Adventures, International Movies, Japanese Movies. 2014 NR. More Details. Director. Find great deals on eBay for rurouni kenshin movie and rurouni kenshin live action movie. Shop with confidence. Rurouni Kenshin – review | Film. In 1. 9th- century Japan, swordsman Kenshin (Takeru Satoh) wanders the land, eating sweets and defending maidens with a special blade that's only sharp on the inside edge so he cannot kill: a pledge to atone for his wartime past as the fearsome Battosai, a murderous slaughterer of samurai. How much you enjoy this slick, big- budget, live- action adaptation of the hit Shonen Jump manga will depend heavily on your tolerance for cartoonish J- poppery: the male lead is a pouty androgyteen, while the bad guy is a campy opium- dandy and (boo, hiss) property developer with an obviously false underbite, whose idea of acting is to curl his lip and who gets his own comic- evil theme music that ruins all his scenes. But behind the adolescent storylines gleams a well- shot swordplay spectacular, featuring a scene- stealing turn from Munetaka Aoki as the Little- John- meets- Ryu- from- Street- Fighter- II sidekick with the 8ft slab of blunt metal. Watch HD Movies Online For Free and Download the latest movies without Registration at 123movies. Search results for "Rurouni Kenshin" Filter. Filter movies. Sort. Tags watch free rurouni kenshin movie 2012 full watch rurouni kenshin movie 2012 online free english sub rurouni kenshin movie stream free download film rurouni. The kitchen fight is a stone- cold classic. CINRA. NET古谷実の漫画『ヒメアノ~ル』が実写映画化されることがわかった。『ヒメアノ~ル』は、『行け!稲中卓球部』『ヒミズ』などの作品で知られる漫画家の古谷実によって、2. Silver Spoon』などの吉田恵輔。同作は3月末にクランクインし、2. Parental Kidnappings. Select the images to display more information. Results: 25 Items. FAICAL CHEBBI; FLORA MAHMOOD; MARIA BELEN FRANCESCONI; HILAL HASAN ALI JAAFAR;. Himeano~ru Information, Himeano~ru Reviews, Synonyms: Himeanole; Himeano-ru;. Native title: ヒメアノ~ル; Also Known as: Himeanole; Himeano-ru;. Himeanoru (ヒメアノ~ル) Volume 01-06 Raw Zip Download/ダウンロード Himeanoru RawFiles: Himeanoru-v01-06e.rar Rapidgator: Himeanoru-v01-06e.rar Upstore. Watch Himeanôru Movie Online Free Watch Himeanôru 2016 Online Free Download Himeanôru Full Movie Streaming Himeanôru 2016 Watch Online Movie. · Himeanôru (2016) Trailer. Catching up on some cult themed movie lists of 2016 to see what I missed, I’m still kicking myself at evading Train To Busan.Deadline | Hollywood Entertainment Breaking News. By Alex Ben Blockon Jun 1. The Weinstein Co., after shepherding one of reality TV’s first breakout series, Project Runway, along with several successful theatrical documentaries, now wants to move deeper into fact- based TV content. A lot of our films started as true stories," noted David Glasser, the company’s COO, during a Sunday panel at the Produced By conference titled, "New Opportunities in Non- Fiction: Docs, Limited Series & Alternative Programming.". As the company turned more attention… Read. Dead·line (dĕd′līn′) n. 1. A time limit, as for payment of a debt or completion of an assignment. 2. A boundary line in a prison that prisoners can cross only.Deadline definition, the time by which something must be finished or submitted; the latest time for finishing something: a five o'clock deadline. See more. Dead-Lines. Menu Skip to content. Home; About; Contact; Film; Search. Search for: First blog post. April 10, 2016 / grimherald / Leave a comment. This is your very.
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Lady Blue Shanghai - WOW. Lady Blue Shanghai. Directed by. David Lynch. Produced by. Sabrina S. Sutherland. Written by. Lady Blue Shanghai (2010) is a movie genre Drama was released on 2010-05-16 with director David Lynch and had been written by David Lynch. David Lynch. Starring. Marion Cotillard. Music by. Dean Hurley. David Lynch. Cinematography. Justyn Field. Edited by. David Lynch. Productioncompany. Film Lady Blue Shanghai 2010 en streaming sur - VF - Youwatch - VK, film gratuit complet français anglais en très bonne qualité, streaming sur filmstreaming-hd. Video Exclusive : David Lynch's "Lady Blue Shanghai" with Marion Cotillard, Chapter 3 in the Lady Dior Saga. Full Movie Info Of Lady Blue Shanghai: A nameless woman (Marion Cotillard) enters her Shanghai hotel room to find a vintage record playing and a blue Dior purse that. Reading Time: 3 minutes. The Lady Dior Saga continues, this time in shanghai. Let’s remember. The first chapter was Lady in Black. The action took place in Paris. Lady Blue Shanghai. Fragmanlar. Oyuncular. Fotoğraflar. Benzer Filmler. Yönetmen David Lynch. Oyuncular: Marion Cotillard, Gong Tao. Tür Dram. Ülke. Lady Blue Shanghai is a 16-minute internet promotion motion picture for Dior starring Marion Cotillard, Gong Tao, Emily Stofle, Cheng Hong, Lu Yong and Nie Fei. '/videos/search?format=&mkt=&q=Lady+Blue+Shanghai&ru=%2fsearch%3fformat%3d%26mkt%3d%26q%3dLady%2bBlue%2bShanghai&view=detail&mmscn=vwrc&mid=C2C8337FEF367C8134F3C2C8337FEF367C8134F3&FORM=WVFSTD' h='ID=SERP,5749.1'>Watch video · lady blue shanghai Movies Preview. Blue Lady. Jan 1, 2013 01/13. by Matthew Schultz. image. eye 488 favorite 0 comment 0. Community Video. 384 384. Running time. 16 minutes. Country. France. United States. Language. English. Lady Blue Shanghai is a 1. Dior starring Marion Cotillard, Gong Tao, Emily Stofle, Cheng Hong, Lu Yong and Nie Fei. It was written, directed and edited by David Lynch, with music by David Lynch, Dean Hurley, and Nathaniel Shilkret. There are prominent dreamlike effects and special attention to background music, as is common in Lynch films. The film centers on the circumstances leading to Cotillard hearing 1. Dior handbag as she enters her hotel room in Shanghai. The motion picture was no longer viewable from the Dior website as of October 2. You. Tube. Plot. Cotillard, whose character is not given a name in the film, enters her Shanghai hotel room at night. As she nears her room she hears a 1. She stops the music, and instantly an expensive Dior bag appears in the room in a puff of smoke. In a panic, she calls the front desk to say that someone is in her room. Two security guards search her room and find nobody. She is questioned about the bag and asked if it could have been left by someone she knows. At first she says she just arrived in Shanghai and knows nobody, but then she reluctantly relates, through a flashback, what seemed like a vision to her as she went to see the Shanghai Oriental Pearl Tower that afternoon. The vision is of her seeing Shanghai as it was at an earlier time and going up some stairs to a room in which she saw a Chinese man. As they kiss and profess their love for each other, the scene changes to modern Shanghai, and the man says he wants to stay, but can not. As the vision of her lover fades, he hands her a blue rose and the flashback ends. Cotillard is in tears. She opens the bag and finds a blue rose. The picture ends with her clutching the bag to her heart. References^"Fate (Tango Valentino)", composed by Nathaniel Shilkret and recorded in 1. International Novelty Orchestra, played in the film on a circa 1. RCA Victor machine. Lady Blue Shanghai - film 2. Shanghai'deki bir otel odasına girer. Retro bir müzik kaydı çalmaktadır ve nereden geldiği belli olmayan gizemli Dior cüzdanıyla karşılaşır. Odada neler olup bittiğini araştıran otelin güvenlik görevlisi de bu gizemi çözemez. Kadına, bulduğu bu çantanın tanıdığı birine ait olup olmadığını sorar. Bunun üzerine bir şeyler hatırlamaya başlayan kadın kendisini bırakıp giden esrarengiz aşkını aramaya başlar. David Lynch'in yazıp yönettiği sıradışı reklam filmlerinden biri olan çalışmanın başrolünde başarılı oyuncu Marion Cotillard bulunuyor. The Secret History of the Democratic Party. Media's Hillary's America: The Secret History of the Democratic. purpose of Hillary's America? Hillary’s America: The Secret History of the Democratic Party DVD release. The Secret History of the Democratic Party was released on. (Hillary’s America). Hillary's America: The Secret History of the Democratic Party (2. Conservative author and filmmaker Dinesh D'Souza is a man that has been uncharacteristically good to me, personally. He's made two utterly abysmal political documentaries that are hatchet jobs and were my worst films of 2. However, the man has been a boon for me as far as my own exposure. My reviews for his 2. They were quoted in message boards, progressive websites, and all over. I still to this day have people that randomly message me to pat me on the back for my rational and methodical take- downs of this charlatan. I wouldn't say I was looking forward to D'Souza's next would- be documentary feature but I knew it would likely contend for the worst movie of that year and that I would profit from extra website hits and plaudits. Hillary's America: The Secret History of the Democratic Party is the underhwelming Return of the Jedi of D'Souza's trilogy of bad movies. They all exist in a galaxy far, far away from our own reality. Is hillary’s america: the secret history of the democratic. the secret history of the democratic party family. hillary’s america is a documentary with. The Secret History of the Democratic Party. “Hillary’s America: The Secret History of the Democratic Party,” might be. Variety is a joke and and more. · · American history is the story of Democratic malefactors and Republican heroes. "Hillary's America: The Secret History of the Democratic Party". Then again D'Souza has been catering to an alternate reality for the majority of his huckster career. My first problem is that D'Souza tries to rewrite his own history (he has so much experience rewriting others' history) and pretend that he's a First Amendment victim instead of a man who knowingly violated federal campaign finance laws. He purposely donated $2. FEC, and as a result was charged with a felony and served eight months in a halfway house. Even D'Souza said, "I knew that causing a campaign contribution to be made in the name of another was wrong and something the law forbids. I deeply regret my conduct." However, in his own movie, his twists the facts to present himself as a free speech martyr facing a tyrannical president. If you make a film criticizing the most powerful man in the world, "D'Souza intones with extra ominous relish, "Expect the empire to strike back." I don't think Obama needs to worry about a movie that made $3. D'Souza's deflecting his guilt as an act of imperial censorship and retribution, and not, you know, him committing a crime and pleading guilty. The fictional recreation of his halfway house experiences are resoundingly hilarious for how tone deaf yet ultra serious they are, as if D'Souza had to scrap for survival. What halfway house is also populated with murderers and rapists? I wish we had a scene of D'Souza giving himself a homemade tattoo from an electric toothbrush. His slimy misstatement of his own felonious failings sets the stage for his third cinematic expose that fails to advance a coherent, rhetorically sound case for his crackpot and disingenuous premises. Let's tackle the man's core argument and what gives his movie its subtitle: the secret history of the Democratic Party as one of blanket racism and oppression. D'Souza tries to make the leap that the Democratic Party is the biggest gang around, exploiting the vulnerable and naïve for nefarious, avaricious gain. He says the Democrats are planning to steal nothing less than American itself. His argument is that the Democrats have been conning the American public, and especially their contingent of minority and poor voters. He cites evidence that he feels is damning, though once again selectively removes context because it would undermine, or in many cases obliterate, his supposed point. D'Souza has to reach all the way back to the 1. Did you know that Andrew Jackson was responsible for the forced relocation of Native Americans, and, I hope you're sitting down, that he was one of the first Democrats? Did you know that following the Civil War many Southerners resisted Reconstruction and joined the Ku Klux Klan and were Democrats? Did you know President Woodrow Wilson was such a fan of the 1. Birth of a Nation, a film glamorizing the rise of the KKK, that he screened it at the White House? D'Souza feels like he's stumbled upon his moral keystroke but he forgets that it wasn't just the Democratic Party that was filled with racists during the nineteenth century and into the twentieth; the majority of America held racist views. To somehow suggest that those who registered as Republicans were immune from the casual racism of everyday society is preposterous. Case in point: at the time the Supreme Court rendered its verdict on the Loving case (tasteful movie coming soon), striking down miscegenation laws banning interracial marriage, a full three fourths of the American public disapproved. This was 1. 96. 7, and the clear majority of the American public still held what could be charitably described as racially intolerant views. In the case of Birth of a Nation, an unquestionably repugnant movie, D'Souza is knowingly removing the fact that it was a groundbreaking piece of cinema and a global blockbuster. It wasn't just President Wilson that enjoyed this newfangled moving picture, it was many, and it just so happened a majority of those people, Republican or Democrat, were racist. D'Souza tries connecting the dots in a conspiratorial manner that demands painting mustaches on every former living Democrat just so they would have something to sufficiently twirl as they laugh maniacally. Jackson was apparently the progenitor of having slaves on plantations, as if this could be attributed to one person. D'Souza's indictment of Jackson and abrupt empathy for the downtrodden Native Americans is in sharp contrast with his previous abhorrent documentary. In that movie, he argued that the Native Americans weren't really doing much with their land anyway, that the pioneers were the ones who made it valuable, and that what happened to them should not be considered genocide. I don't believe D'Souza's phony crocodile tears over the Trail of Tears. If he's going to decry Andrew Jackson for being a slave owner then why not the Founding Fathers as well? Why not George Washington? Because that would confuse his already confused argument. With D'Souza, the KKK wasn't a grassroots organization of disaffected and angry Southern white men; no, it was a purposeful political arm of the Democratic Party. Wilson wasn't just a fan of a popular movie; he and his cabinet were directly inspired to harass African- Americans. For him, the Democrats built ghettos, made sure to stuff them with immigrants, and wouldn't allow them to leave. For him, Margaret Sanger wasn't fighting for contraception for women's health and equality but so she could stop black people from reproducing. For the record, Sanger spoke to whoever would listen to her cause, which did include the Klan at one point. For D'Souza, Planned Parenthood exists to wipe out minorities, and he even makes use of those undercover videos by conservative activists that got the activists charged with criminal activity, not Planned Parenthood, which was cleared for all outrageous charges. Everywhere he looks, D'Souza sees widespread conspiracy and the intent to do maximum harm. The shrill partisan attacks are amplified to the point that any points are muted. Not too many are going to defend Andrew Jackson to this day, but what about recent history, eh? It's not long before you start to notice a hard cap on all of D'Souza's historical anecdotes. They all seem to end just about the time of the signing of the 1. Civil Rights Act, which is by no means a coincidence. When President Johnson signed the bill into law he said that the Democratic Party had likely lost the South for a generation. Almost sixty years later, I think he undershot that estimate. The party of Lincoln is no longer the party of Lincoln, judging by their policies and candidates. D'Souza has to reach back more than half a century to posit his case that the Democrats are the real party of racists. This line of argument is somewhat tainted with the 2. Republican presidential nominee refuses to recant his excoriation of the exonerated Central Park Five, tells African- Americans they're "living in hell," and far too frequently retweets ugly messages from white supremacist groups. Which political history is more relevant to today, the actions of the last 3. The Republican Party doesn't get a free pass because at one time certain members supported abolition and women's suffrage. D'Souza even says, "As the South became less racist, they became more Republican." Huh? The parties have held the same names for hundreds of years but their policies and platforms have shifted along with the nation and culture. To pretend that Democrats or Republicans today follow the exact same policies from hundreds of years prior is intellectually dishonest and thoroughly facile, which sums up the host of D'Souza's feeble arguments. D'Souza's grandstanding and myopic personal crusade gets in the way of his larger message. You could easily construct a documentary about Hilary Clinton being unlikable or hard to trust. She is often her worst enemy and her penchant for secrecy can be reasonably unnerving. You can make an anti- Hillary doc without resorting to ad hominem attacks and worse. There are legitimate critiques over the Clinton Foundation and its lack of transparency, but D'Souza can't help himself. He shouldn't have to utilize bracingly absurd, offensive propaganda imagery like a young Hillary watching the bombs of the 1. He shouldn't have to resort to such incendiary charges like, "Now we know why Hillary let all those emergency Benghazi calls go. She couldn't make a buck off of them." Excuse me? She let Americans die because she couldn't pad her wallet? Hillary's plan was to take over the institutions of government," D'Souza intones, as if she was a Manchurian candidate who activated instead of a young political activist in law school. The main argument D'Souza musters against Hillary, well after 7. In what may be the most outlandish accusation of the whole movie, D'Souza says that her husband's infidelity is her fault and that "in many ways she orchestrated all of this." Just take in that statement. It might take a while. Let it settle in. |